Wednesday, November 11, 2009

DLC match #13: Disney vs. Milne


Disney Literature Challenge:

WINNIE-THE-POOH
THE HOUSE AT POOH CORNER
by A. A. Milne

If you want to learn something about the impact of voice on a story, read the old school Winnie the Pooh stories by A.A. Milne. Even though Disney lifted the plots and characters and a heap of dialog without much meddling, in spite of creating an animated storybook complete with text and narrator, there's still something missing.


That something is the gentle earnestness of Milne's voice. For whatever reason, it just doesn't translate. Disney's Pooh is sort of dopily lovable, which endears him to millions of people -- even me, once upon a time. But no more. I accept no substitutes. (Besides, once you've worked at a place called Halfway Down the Stairs, Milne spinoffs are strictly verboten.)


Verdict:
Milne

Score:
Disney - 6
Authors - 8

********************
Currently re-reading:

Living Dead Girl
by Elizabeth Scott

3 comments:

Laura Lutz said...

How can you possibly RE-read Living Dead Girl?! You are a much braver and daring reader than me, for certain.

At some point, should we meet, I would love to talk to you off-line about this book!

kristin cashore said...

We may have had words if you'd gone the other way on this one. :o) Agreed, there's nothing quite like the original Pooh. Plus, the Disney voices have never sounded right to me.

Sarah Miller said...

Laura - Do you iChat? AIM? YIM? There are ways...

K - Never fear. (But did you know that Piglet's voice is one of the poker players in the Odd Couple?)